{"id":3403,"date":"2019-05-17T16:41:58","date_gmt":"2019-05-17T15:41:58","guid":{"rendered":"http:\/\/www.podivinsky.cz\/?p=3403"},"modified":"2019-05-17T16:42:10","modified_gmt":"2019-05-17T15:42:10","slug":"kotrba-na-hrad","status":"publish","type":"post","link":"https:\/\/www.podivinsky.cz\/?p=3403","title":{"rendered":"Kotrba na hrad!"},"content":{"rendered":"\n

Cel\u00fd Kotrb\u016fv facebookov\u00fd koment\u00e1\u0159:<\/strong><\/em>Pokud by do \u00e9teru neposlala p\u00e1r tweet\u016f o Delonovi a jeho politick\u00fdch n\u00e1zorech, nevzbudila by pozornost nikoho, t\u00edm m\u00e9n\u011b sv\u011btov\u00fdch tiskov\u00fdch agentur, RFI, Guardianu, Evening Standardu, ale i Jakarta Postu, Le Parisien, Corriere della Sera \u010di La Repubblica. Militantn\u00ed p\u0159edstava jedn\u00e9 Ameri\u010danky ob\u011bhla prost\u0159ednictv\u00edm hysterick\u00fdch globalizovan\u00fdch m\u00e9di\u00ed zem\u011bkouli.<\/em>Organiz\u00e1to\u0159i festivalu v Cannes se ocitli pod tlakem, aby odep\u0159eli \u010destn\u00e9 ocen\u011bn\u00ed za \u017eivotn\u00ed d\u00edlo 83let\u00e9mu herci jen proto, \u017ee kdysi u\u010dinil arogantn\u00ed prohl\u00e1\u0161en\u00ed o fackov\u00e1n\u00ed \u017een, chce zastavit migraci do sv\u00e9 vlasti a podporuje pravici ve Francii. Um\u011bleck\u00fd \u0159editel Cannes, filmov\u00fd kritik Thierry Fremaux se ale vzep\u0159el: „Alain Delon si m\u016f\u017ee myslet, co chce“, prohl\u00e1sil. „Nebudeme mu d\u00e1vat Nobelovu cenu m\u00edru\u2026 ale d\u00e1me mu ocen\u011bn\u00ed za celo\u017eivotn\u00ed d\u00edlo.“<\/em>Nem\u00e1m chu\u0165 ve sv\u00fdch 56 letech obhajovat zdrav\u00fd rozum ani sv\u016fj estetick\u00fd n\u00e1zor, podpo\u0159en\u00fd vysoko\u0161kolsk\u00fdm studiem teorie i praxe um\u011bn\u00ed.<\/em>Nem\u00e1m chu\u0165 argumentovat, pro\u010d je t\u0159eba osobnost um\u011blce odd\u011blit p\u0159i hodnocen\u00ed od jeho d\u00edla. A nem\u00e1m chu\u0165 sepisovat ve\u0159ejnou prosbu o ignorov\u00e1n\u00ed sexu\u00e1ln\u011b, citov\u011b i rozumov\u011b deprivovan\u00fdch osob, kter\u00e9 se pokou\u0161ej\u00ed vstupovat do ve\u0159ejn\u00e9ho prostoru s hysterick\u00fdm prosazov\u00e1n\u00edm genderov\u00e9ho konceptu jako svobodn\u00e9 volby spole\u010densk\u00e9 role jedince ve vztahu k maskulinit\u011b a feminit\u011b, vnucov\u00e1n\u00edm gender mainstreamingu do um\u011bn\u00ed, politiky \u010di v\u011bdy a zav\u00e1d\u011bn\u00ed zvl\u00e1\u0161tn\u00edch opat\u0159en\u00ed, kampan\u00ed proti sexu\u00e1ln\u00ed stereotypizaci \u010di sexismu typu #metoo<\/a>. Rovnost mu\u017e\u016f a \u017een pova\u017euji za samoz\u0159ejmou u st\u00e1tu, v legislativ\u011b. P\u0159ed z\u00e1konem si bu\u010fme v\u0161ichni rovni. Nikdo m\u011b ale nebude nutit, abych zam\u011bstnal star\u00e9ho sekret\u00e1\u0159e, kdy\u017e chci mladou sekret\u00e1\u0159ku, kter\u00e1 nebude blond\u00fdna. A hodl\u00e1m i nad\u00e1le zobrazovat \u017eeny v hl\u00edn\u011b i bronzu jako sexu\u00e1ln\u011b p\u0159ita\u017eliv\u00e9 objekty div\u00e1kovy touhy a nebr\u00e1n\u00edm kter\u00e9koliv socha\u0159ce, aby stejn\u011b tak zobrazovala mu\u017ee. Strk\u00e1n\u00ed zmrzl\u00fdch ku\u0159at do vag\u00edny v chr\u00e1mu Krista Spasitele se mi hnus\u00ed a za um\u011bn\u00ed to nepova\u017euji. Stejn\u011b tak p\u0159ib\u00edjen\u00ed vlastn\u00edch varlat na Rud\u00e9 n\u00e1m\u011bst\u00ed. Um\u011bn\u00ed je a m\u00e1 z\u016fstat odvozen\u00e9 od slova um\u011bti. Na pr\u00e1vo homosexu\u00e1ln\u00edch p\u00e1r\u016f vychov\u00e1vat d\u011bti m\u00e1m opa\u010dn\u00fd n\u00e1zor, ne\u017e Delon, ale ten jeho respektuji a nepobu\u0159uje mne.<\/em>Pova\u017euji ale za naprosto \u0161\u00edlen\u00e9, \u017ee o v\u00fdkonech Pana herce by m\u011bla rozhodovat bloggersk\u00e1 nula z druh\u00e9ho konce sv\u011bta a v\u0161em „liber\u00e1ln\u00edm“ m\u00e9di\u00edm a jejich kulturn\u00edm kvo\u010dn\u00e1m to p\u0159ijde norm\u00e1ln\u00ed. Papou\u0161kuj\u00ed zpr\u00e1vu kter\u00e9si agentury jedna p\u0159es druhou, \u017ee\u2026 „na internetu se rozjela kampa\u0148“\u2026 a jak\u00e1si „organizace spustila petici\u2026“, kterou podepsalo (na cel\u00e9m sv\u011bt\u011b) 16 tis\u00edc lid\u00ed. A co m\u00e1 proboha b\u00fdt? To je jako kdy\u017e plivnete do oce\u00e1nu. Opravdu si mysl\u00edte, \u017ee jak\u00e1si internetov\u00e1 petice, kde se lze podepsat jako Ka\u010der Donald, je ur\u010duj\u00edc\u00ed pro kvalitu celo\u017eivotn\u00edho d\u00edla? A opravdu si mysl\u00edte, \u017ee n\u00e1zor kdejak\u00e9ho n\u00fdmanda (i kdy\u017e je t\u011bch n\u00fdmand\u016f 16 tis\u00edc) je nutno br\u00e1t v\u00e1\u017en\u011b? Tvrd\u00edm arogantn\u011b, \u017ee ne.<\/em>Melissa Silversteinov\u00e1 (@melsil) je n\u00fdmand. Chlub\u00ed se 15 lety zku\u0161enost\u00ed v oblasti neziskov\u00fdch organizac\u00ed. To nen\u00ed kari\u00e9ra, ale diagn\u00f3za. Je „um\u011bleckou \u0159editelkou“ a „spoluzakladatelkou“ filmov\u00e9ho festivalu Athena na \u017eensk\u00e9 Barnard College. „Spoluzakladatelkou“ Women’s Media Center\u2026 Forbes tvrd\u00ed, \u017ee „p\u00ed\u0161e o \u017een\u00e1ch v podnik\u00e1n\u00ed Hollywoodu“. Na sv\u00fdch str\u00e1nk\u00e1ch se chlub\u00ed, \u017ee „za posledn\u00ed desetilet\u00ed vytvo\u0159ila skupina \u017deny a Hollywood komunitu lid\u00ed, kte\u0159\u00ed se v\u011bnuj\u00ed podpo\u0159e obsahu vytvo\u0159en\u00e9ho \u017eenami a pro \u017eeny. Komunita okolo Silversteinov\u00e9 pr\u00fd zahrnuje novin\u00e1\u0159e, lobbisty, aktivisty, filma\u0159e a mnoho dal\u0161\u00edch.“ Nevytvo\u0159ila nic. Mimo hromady \u017evaniv\u00fdch fr\u00e1z\u00ed v hromad\u011b americk\u00fdch novin najdete jen jeden feministick\u00fd \u0161koln\u00ed filmov\u00fd festival Athena a virtu\u00e1ln\u00ed „Alliance of Women Film Journalists“. Prost\u011b obtloustl\u00e1 newyorsk\u00e1 nula.<\/em>P\u0159ed v\u00edce ne\u017e sto dvaceti p\u011bti lety byl Barnard prvn\u00ed vysokou \u0161kolou v New Yorku – a jednou z m\u00e1la na sv\u011bt\u011b – kde \u017eeny mohly dost\u00e1vat stejn\u00e9 vzd\u011bl\u00e1n\u00ed svobodn\u00e9ho um\u011bn\u00ed, jak\u00e9 mu\u017ei. To byla doba, kdy je\u0161t\u011b \u010derno\u0161i v USA nem\u011bli lidsk\u00e1 pr\u00e1va. Ch\u00e1pu americkou hrdost nad dosa\u017een\u00fdm pokrokem za 125 let. Ale nesednu si p\u0159ed n\u00edm na zadek.<\/em>Stejn\u011b tak mne neuchv\u00e1t\u00ed, \u017ee misogynstv\u00ed Alaina Delona zaj\u00edm\u00e1 Forbes \u010di Guardian, \u010desk\u00e9 bulv\u00e1rn\u00ed zpr\u00e1vy na Prim\u011b, iDnes \u010di den\u00edk Aha. Zaj\u00edm\u00e1 m\u011b ale herec re\u017eis\u00e9r\u016f Luchina Viscontiho, Jeana-Luc Godarda, Jeana-Pierre Melvilla, Michelangela Antonioniho. Zaj\u00edm\u00e1 m\u011b mlad\u00fd milovn\u00edk Franz Lobheiner z filmu Christine (1958), kde byl partnerem Romy Schneiderov\u00e9. Zaj\u00edm\u00e1 mne Delon v krimin\u00e1lce ze star\u00e9 \u0161koly Melodie podzem\u00ed, kde hraje po boku Jeana Gabina. Ve Viscontiho filmu Gepard (1963), kter\u00fd z\u00edskal tent\u00fd\u017e rok Zlatou palmu na MFF v Cannes, hr\u00e1l Delon vedle Burta Lancastera a Claudie Cardinaleov\u00e9. Film byl nato\u010den v roce, kdy jsem se narodil a v jak\u00e9msi arte kin\u011b v Pa\u0159\u00ed\u017ei jej vid\u011bla m\u00e1 matka o deset let pozd\u011bji. A j\u00e1 je\u0161t\u011b pozd\u011bji. Zapomenout nejde Sicilsk\u00fd klan (1969), Borsalino (1970 a 1974), Smrt dareb\u00e1ka (1977) \u010di T\u0159i mu\u017ei na zabit\u00ed (1980). Jako filmov\u00e9ho snoba m\u011b zaj\u00edm\u00e1 i film Atent\u00e1t na Trock\u00e9ho (1972), kter\u00fd byl za\u0159azen mezi pades\u00e1t nejhor\u0161\u00edch film\u016f v\u0161ech dob, kde Delon hraje vraha Jacksona – \u0161pan\u011blsk\u00e9ho komunistu a agenta NKVD Ram\u00f3na Mercadera.<\/em>Nem\u00e1m chu\u0165 argumentovat, pro\u010d frustrovan\u00e9 feministky, p\u00ed\u0161\u00edc\u00ed ud\u00e1n\u00ed na slavn\u00e9, \u017ee je kdysi popl\u00e1cali po zadku a pak z toho u\u017e nic nebylo, m\u011b neoslovuj\u00ed a jsou mi vylo\u017een\u011b odporn\u00e9. Prost\u011b to tak je, nehodl\u00e1m se za to styd\u011bt a hodl\u00e1m ve sv\u00e9m nemodern\u00edm n\u00e1zoru ve\u0159ejn\u011b setrvat. Pravd\u011bpodobn\u011b se rozejdu s dobrou polovinou sv\u00fdch levicov\u00fdch p\u0159\u00e1tel, kte\u0159\u00ed jsou okouzleni sou\u010dasn\u00fdm progresivistick\u00fdm kulturn\u00edm diskursem, pij\u00ed sojov\u00e9 latt\u00e9 bez lepku a p\u0159ikusuj\u00ed k tomu farm\u00e1\u0159skou biosu\u0161enku s p\u0159\u00edb\u011bhem. Pravd\u011bpodobn\u011b budu d\u00e1l mluvit o sexu\u00e1ln\u011b frustrovan\u00fdch feministk\u00e1ch stejn\u011b sprost\u011b jako dosud. Je\u0161t\u011b h\u016f\u0159 budu mluvit o n\u011bkter\u00fdch mlad\u00fdch politic\u00edch a politi\u010dk\u00e1ch, p\u0159\u00edpadn\u011b jejich novin\u00e1\u0159\u00edch a novin\u00e1\u0159k\u00e1ch, vy\u017e\u00edvaj\u00edc\u00edch se v obhajob\u011b rovn\u00e1tek pro v\u0161echny. Pravd\u011bpodobn\u011b budu d\u00e1l koukat na filmy s Alainem Delonem a Jeanem Gabinem, pln\u00fdch genderov\u00fdch stereotyp\u016f, sexistick\u00fdch nar\u00e1\u017eek a vykou\u0159en\u00fdch gauloisek bez filtru a smutn\u011b p\u0159em\u00fd\u0161let o \u010dasech, kdy auta m\u011bla tv\u00e1\u0159, benz\u00edn nevon\u011bl po biolihu, mu\u017ei byli mu\u017ei a \u017eeny \u017eenami.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Cel\u00fd Kotrb\u016fv facebookov\u00fd koment\u00e1\u0159:Pokud by do \u00e9teru neposlala p\u00e1r tweet\u016f o Delonovi a jeho politick\u00fdch n\u00e1zorech, nevzbudila by pozornost nikoho, t\u00edm m\u00e9n\u011b sv\u011btov\u00fdch tiskov\u00fdch agentur, RFI, Guardianu, Evening Standardu, ale i Jakarta Postu, Le Parisien, Corriere della Sera \u010di La Repubblica. Militantn\u00ed p\u0159edstava jedn\u00e9 Ameri\u010danky ob\u011bhla prost\u0159ednictv\u00edm hysterick\u00fdch globalizovan\u00fdch m\u00e9di\u00ed zem\u011bkouli.Organiz\u00e1to\u0159i festivalu v Cannes se … Pokra\u010dov\u00e1n\u00ed textu Kotrba na hrad!<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-3403","post","type-post","status-publish","format-standard","hentry","category-pc"],"_links":{"self":[{"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=\/wp\/v2\/posts\/3403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3403"}],"version-history":[{"count":1,"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=\/wp\/v2\/posts\/3403\/revisions"}],"predecessor-version":[{"id":3404,"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=\/wp\/v2\/posts\/3403\/revisions\/3404"}],"wp:attachment":[{"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.podivinsky.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}